The Week in Art
From breaking news and insider insights to exhibitions and events around the world, the team at The Art Newspaper picks apart the art world's big stories with the help of special guests. An award-winning podcast hosted by Ben Luke.
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Último episodio
The US Venice Biennale saga, Queer Islamic art in Oslo, Duane Linklater in Ottawa (28.11.2025)
Episodios anteriores
- The $236m Klimt, Cop 30 and the art world, Caravaggio’s Victorious Cupid
- Studio Museum in Harlem, Grand Egyptian Museum, Stanley Spencer
- MFA Boston returns enslaved artist’s work to his heirs, Wifredo Lam, Ghirlandaio’s Adoration of the Magi
- Gauguin “fake” is real, Mrinalini Mukherjee and her circle, Franz Xaver Messerschmidt’s head piece
- Louvre heist: the fallout, RoseLee Goldberg on the Performa Biennial, Wayne McGregor on his new installation
- Frieze in London, Hypha Studios and Renoir’s drawing for The Great Bathers
- Nigerian Modernism, Tehran’s art scene after the war, Wayne Thiebaud’s Cakes
- Who made ancient Egyptian art? Plus, Michaelina Wautier, Robert Rauschenberg’s Bed
- Museums and ethics, Fra Angelico in Florence, Cornelia Parker’s PsychoBarn
- Kerry James Marshall, National Gallery expansion, Picasso’s Three Dancers
- David Bowie Centre, Bukhara Biennial, Hilton Als on Jean Rhys, Hurvin Anderson and Kara Walker
- Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum
- Arthur Jafa and Mark Leckey, Cecilia Alemani on SITE Santa Fe, Trisha Brown and Robert Rauschenberg
- Art Basel, human remains in Dutch museums, Eva Hesse
- Rachel Jones, Liverpool Biennial, UK Aids Memorial Quilt at Tate Modern
- London Gallery Weekend, Brazil’s National Museum, Jane Austen at the Morgan
- Museum openings: V&A East Storehouse and the Met’s Rockefeller Wing, plus Rachel Whiteread at Goodwood Art Foundation
- Jean Tinguely’s 100th anniversary, Fenix Museum, Ben Shahn
- Koyo Kouoh remembered, Queen Elizabeth II memorial, Jasper Johns by Robert Storr
- London: National Gallery refurb and rehang, Tate Modern is 25. Plus, Inge Mahn
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